2019    ‘Unsettling the Suburban: Space, Sentiment and Migration in National Cinematic Imaginaries’ in Felicity Collins, Susan Bye and Jane Landman, (eds) Wiley-Blackwell Companion to Australian Cinema

2018 ‘The Plenitude of Community: Ethnography and Urban Design in Hendrik Tieben, Kang Min Jay (eds) Magic Carpet: Towards Community Benefit Plans for Urban Regeneration in Taipei and Hong Kong, Tangshan Publishing House, Taipei, 田恆德,康旻杰, 妙想氈開:展開台北與香港都市再生的社區共利計畫唐山出版社

2015    ‘E/motion: Mobility and Intimacy’ in Larissa Hjorth and Olivia Khoo (eds) Handbook of New Media in AsiaRoutledge ISBN 978 1138026001

2013    ‘iPhone Girl: Assembly, Assemblages and Affect in the Life of an Image in Chris Berry, Janet  Harbord and Rachel Moore,  (eds) Public Space, Media Space, Palgrave, ISBN 978-1-137-02776-4

2012    "General Aesthesia": Mutations of Value and Cognition in New Media Practices in Herold, David Kurt, Sawhney Harmeet and Fortunati, Leopoldina (eds) Understanding Creative Users of ICTs: Users as Social Actors, Routledge ISBN 978-0415697477

2005   'Evidence Shrouded: Photography and the Chamberlain Case' in Adrian Howe (ed) Lindy Chamberlain Revisited: A 25th Anniversary Retrospective, LHR Press, ISBN: 0-9577766-0

2002     'Body, Image, Economy: Speculations on the Cartesian Utopia' in Koop Stuart (ed): Value Added Goods, Centre for Contemporary Photography, Melbourne, ISBN 0 9577488 2 5

1999     'A Shroud of Evidence' in Blair French, (Ed) Photo Files: An Australian Photography Reader, Power Publications/ Australian Centre for Photography, ISBN 1 86487 053 2

1997 Icon House’ in Grace, Hage, Johnson, Langsworth, Symonds, Home/world: Space, Community and Marginality in Sydney’s West, Pluto Press, 1 86403 036 4

1996    'So I joined the Teamsters' in Ann Stephen, (ed) Artists Think: The Late Works of Ian Burn, Power Publications 1996,  ISBN 0 7326 0658 6

1994    'Where Do Positive Images Come From?' (with Ann Stephen) in Catriona Moore, (ed)  Dissonance: Feminism and the Arts 1970-1990, Allen & Unwin/ Artspace,  ISBN 1863733256

1993     'Business, Pleasure, Narrative - The folktale in our times'  in Turner G. (ed) Nation, Culture, TextRoutledge, ISBN 0415088852
• 'A House of Games: Serious Business and the Aesthetics of Logic'  in Morris M & Frow J. Australian Cultural Studies: A Reader, Allen & Unwin, ISBN 1863734996
• 'Pavilions of the Ego: The Critic as Art Object' in Sunil Gupta  (ed) Disrupting Borders: An Intervention in definitions of boundariesRivers Oram Press, ISBN 1 85489 045 X
• 'Pavilions of the Ego: The Critic as Art Object' in Nick Tsoutas (ed) Shift: Critical Prctices Conference Papers , Institute of Modern Art, Brisbane, ISBN 0 646 12693 8

1992    The Bride Stripped Bare in Walker L.M. (ed) Never by Chance, Experimental Art Foundation, Adelaide, ISBN 094983629X

1991    Business, Pleasure, Narrative - The folktale in our times in Rosalyn Diprose and Robyn Ferrell (ads) Cartographies: Poststructuralism & the Mapping of Bodies & Spaces, Allen & Unwin, ISBN 0044422911

1988    Notes on Women of the Sun (Sonia Borg & Hyllus Maris) in Creed B (ed) Insight: 1989 Study guide for Higher School Certificate, Victoria

1986    'To the Lighthouse'  in Coventry Virginia (ed). The Critical Distance, Hale & Iremonger, ISBN 0868062235

1983    Photographic Section in Ann Game and Rosemary Pringle, Gender At Work, George Allen & Unwin, ISBN 0868612618

1982    'Signs of Underdevelopment' in Kurt Brereton  (ed) Photo-Discourse, Sydney College of the Arts,  [With Charles Merewether] ISBN 0908231083

1980    'Mods & Docos: Notes on a Critical Practice' (Working Papers on Photography, Conference Papers, Melbourne, September.  [With Toni Schofield, Charles Merewether, Terry Smith]  ISBN 0 9594596 0 X